写作是艺术也是门手艺，而手艺活要分两步：先塑形，后抛光。第一稿是塑形，把那一团模糊的想法，所谓灵感，捏出个大概模样。这时候你要像个陶匠，手上沾满泥巴，没关系，关键是让坯子成型，有模有样。第二稿才是抛光、打磨，这时候你是一个编辑，是雕刻家，是一个让人“讨厌”的挑剔的人，是一个指手画脚的人，但也是那个让作品发光的人。这个过程很煎熬，但成果喜人。我听一位刊物编辑说，作家索南才让的《荒原上》，前前后后修改了十稿，最终获得了鲁迅文学奖。当然不是说所有稿件修改十遍后就能拿奖，但若没有这一历程，作品恐怕不会有现在这样的成色。
7月初，母亲要回西安处理一套房子的出租事宜，之前的租客刚退租，她需要回去打理。让她独自远行，又刚好在被骗子盯上的档口，我本不情愿，但她执意要去，想到手机上已经完成了安全设置，我便没有强行阻止。
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But Paramount has reportedly been eyeing WBD for years and followed December's merger announcement with an aggressive hostile takeover bid. On Tuesday, in addition to raising its offer to buy all of WBD, Paramount also agreed to pay a $7 billion regulatory termination fee should a Paramount-WBD merger fail to close due to antitrust regulation, as well as a $0.25 per share ticking fee for every quarter that the deal doesn’t close, starting on September 30.
"We’ve done a lot to improve performance and consistency in Node streams, but there’s something uniquely powerful about starting from scratch. New streams’ approach embraces modern runtime realities without legacy baggage, and that opens the door to a simpler, performant and more coherent streams model."