While I worried at first that the bodycams might make for a barrage of blurry shots (think the shaky-cam aesthetic of The Hunger Games), Brandon Christensen is meticulous in the staging of certain scenes. With the cameras positioned at the center of his protagonists' chests, often the footage from one captures the other's expression. Or perhaps a mirror catches the wearer's face as he's chided by his mother. This slightly low angle also reflects the characters' initial sense of superiority over those around them. But as the film progresses, the angle shifts to suggest a break in their relationship. In one scene, Jackson is practically on the ground as his camera captures Bryce firing on a civilian. This much lower angle, showing Bryce's arm fully extended, his face locked into focus as he fires, creates a sense of dread and intimidation. These two are no longer on the same footing on what it means to be a cop. This lower angle suggests Bryce is the scariest thing in this room.
Фото: Jarno Vuorinen / Reuters
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